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Endearing teen love story is sure to make book fans happy. Read Common Sense Media's Everything, Everything review, age rating, and parents guide. Rescuers are doing everything they possibly can to free the trapped people. She's new to the job so you can't expect her to know everything yet. Make sure you keep a receipt for everything you buy. Are you sure we've got everything we need for the journey? If I don't wear my glasses, everything is just a blur.
Spoiler alert! The following contains mild spoilers for Everything, Everything.
If you’ve finished 13 Reasons Why and loved The Fault in Our Stars, there’s a new YA adaptation that you may want to add to your list.
Everything, Everything, the film based on the YA novel by Nicola Yoon, hits theaters this weekend, and it’s attempting to yank on the same heartstrings that the Netflix drama and John Green book have tugged. The movie stars The Hunger Games’ Amandla Stenberg as Maddy, a teen with a disease called Severe Combined Immunodeficiency (SCID), which as she explains, makes her “allergic to the world.” As a result, she’s forbidden to leave her house for fear of contracting a common cold, which could kill her. That is until Olly (Nick Robinson) moves in next door.
The movie is getting some negative reviews, but if you are a big YA fan in general, you’re bound to enjoy it. Here are just a few of the YA touchstones Everything, Everything hits.
The structure
Outlandish settings and problems are often used as plot devices in YA lit -- totalitarian dystopia, dealing with issues like suicide and cancer. In Everything, that setting is Maddy’s disease, which means she must experience her first love through glass walls and text messages (the film finds an amusing and helpful way to make Maddy and Olly’s text conversations more dynamic than simply reading subtitles). Their particular situation might be extreme, but many a teen romance has dealt with barriers both literal and figurative (remember Romeo and Juliet?). As you might expect, their love is strong enough to break through the walls between them.
But despite the premise, Everything doesn’t get too serious about this set-up (it has a peppy pop soundtrack and is a breezy 96 minutes), so you spend less time focusing on the absurdity and more time enjoying the ride.
The chemistry
Stenberg was a breakout star for her small part as Rue in The Hunger Games, and in one of her first leading roles, she proves why. The young actress is a charming presence on screen, and there are undeniable sparks between her and Robinson, even through glass doors. The movie would struggle without their chemistry (we’re looking at you, Paper Towns).
The actors gamely carry some of the cheesier parts, including Robinson's line “Don’t die,” delivered to Maddy as they embark on an adventure outside her house.
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The escapism
When Maddy is questioning her life inside her bubble, she decides to risk it all on a trip to Hawaii with Olly. The prudence of this decision aside, it’s the kind of fantasy-escapism that’s at the heart of many YA novels and adaptations. Caravan club.
The metaphor is clear -- many kids want to escape the confines of their lives under their parents watch. Maddy’s confinement may have graver consequences than a 10 p.m. curfew, but the feeling is universal. Placing Maddy’s version of this rebellion in a landscape as beautiful as Hawaii is just a bonus.